Advertising’s 15 Basic Appeals Essay

Free Essays on I Want A Wife By Judy Brady

Who wouldn’t need a spouse? Judy Brady will explain to you precisely why you would need a spouse. Written in 1970, I Want a Wife despite everything rings as obvious today as it would have thirty years prior. Brady will mention to you what a spouse is useful for and what the wife ought to and shouldn’t do. This exposition is a clever and mocking perspective on the exemplary job ladies play in families. Judy Brady portrays someone who will fulfill your every need and need, somebody who will accommodate you. Somebody who will make a few bucks, deal with the kids, plan trips and social affairs. Somebody who will thoroughly take care of you - needs - needs - wishes - and so on, and a spouse will do it. In the event that that spouse ought to get unsatisfactory, or a superior wife should go along, the past wife is totally expendable. A spouse is the ideal accomplice to anyone’s life. Presently, in the event that you could bundle the possibility of a spouse that Judy Brady depicts, you would have the ideal item. A Wife takes on each required character and effectively utilizes it. A spouse is a mother, a secretary, a medical caretaker, even a house cleaner. The â€Å"Wife† would be sold out the country over. Delay purchased when it hit the rack. Blend the thought in with some imaginative promoting and you would have the most gainful item ever. Simply think, large neon signs outside stores blazing - spouse sold here. Redesign each year and include another characteristic, and you could never stress over a shopper base. Brady’s thought of a spouse is something - that in spite of your sexual inclination - everyone would need. Brady gives us that you can be totally egotistical and the spouse would remain close by and bolster your choice. You could never need to stress over it arguing or drinking excessively and humiliating you at organization parties. This ideal item would be totally dispensable. No one needs a years ago model. Contrast the possibility of a spouse with a PC. Consistently another model comes out, and an enormous part of the customer base thr... Free Essays on I Want A Wife By Judy Brady Free Essays on I Want A Wife By Judy Brady Who wouldn’t need a spouse? Judy Brady will explain to you precisely why you would need a spouse. Written in 1970, I Want a Wife despite everything rings as evident today as it would have thirty years back. Brady will mention to you what a spouse is useful for and what the wife ought to and shouldn’t do. This paper is an extremely clever and mocking perspective on the great job ladies play in families. Judy Brady portrays someone who will fulfill your every need and need, somebody who will accommodate you. Somebody who will make a living, deal with the youngsters, plan trips and social events. Somebody who will thoroughly take care of you - needs - needs - wishes - and so on, and a spouse will do it. On the off chance that that spouse ought to get unsuitable, or a superior wife should go along, the past wife is totally expendable. A spouse is the ideal accomplice to anyone’s life. Presently, in the event that you could bundle the possibility of a spouse that Judy Brady depicts, you would have the ideal item. A Wife takes on each required character and effectively utilizes it. A spouse is a mother, a secretary, a medical caretaker, even a house keeper. The â€Å"Wife† would be sold out the country over. Delay purchased when it hit the rack. Blend the thought in with some imaginative publicizing and you would have the most gainful item ever. Simply think, enormous neon signs outside stores blazing - spouse sold here. Overhaul each year and include another quality, and you could never stress over a buyer base. Brady’s thought of a spouse is something - that in spite of your sexual inclination - everyone would need. Brady gives us that you can be totally childish and the spouse would remain close by and bolster your choice. You could never need to stress over it arguing or drinking excessively and humiliating you at organization parties. This ideal item would be totally dispensable. No one needs a years ago model. Contrast the possibility of a spouse with a PC. Consistently another model comes out, and a huge part of the purchaser base thr...

Term Paper Sample - How They Can Help You to Write a Term Paper

Term Paper Sample - How They Can Help You to Write a Term PaperThe decision whether to use a term paper sample or not largely depends on the extent of the student's knowledge and the requirements of the work. The majority of people are now opting for using such references because of the easy access they provide. You just need to take the right decision by using terms, or topics.If you have not got any idea about writing a term paper, then a term paper sample will be your best friend. You just need to find a reference that has good information, and also easy to understand information. With so many term paper samples on the market, it is not difficult to find the term paper samples that suit your requirements.For starters, when searching for the term paper samples, you should try and select a writing sample which has appropriate content. Make sure that you do not go by the name of the writing that you read on the sample as this is a mistake. This writing sample will never reflect the r eal writing style of the author. Rather, you should get more knowledge about the writer by going through the author bio and by reading the articles written by him.Many students usually look for term paper samples that require them to include all the aspects of the term paper and write in an outline format. This is where the term paper sample comes in handy. Some of the writers even recommend the term paper samples with the help of which you can improve the quality of your term paper.Another advantage of using the term paper samples is that you can get the support of the author in writing the term paper. With the help of the writing samples, you can build a network between the writer and the paper will gain professional attributes from both the people. By going through the writing samples, you can gain some better ideas about writing that will not only prove helpful in solving the term paper problems but will also help you to write a term paper in a professional manner. In fact, thes e term paper samples will prove beneficial in several ways. When you need some new ideas for writing the term paper, you can go through the sample to understand the outline format or look for the writer's advice. Moreover, you can have a look at the different styles of writing to be found on the term paper samples and you can get a complete understanding of the style and the current trend of writing.When you are selecting the term paper samples, the major concern that you should have is to choose one that has a clear outline. There should be a clear writing style, which would help you to understand what the writer means by the writing. Also, you must select a term paper sample that is easy to understand and would allow you to implement the information effectively in the writing.In fact, you can easily find the term paper samples that suit your needs. There are various resources available online that can help you to search for these types of reference. You just need to type 'term pap er samples' in the search engine and you will get a list of several websites that offer help on term paper samples.

The Founding Fathers Of Sociology, Emile Durkheim

This is what one of the founding fathers of sociology , Emile Durkheim , meant when he wrote in 1895 that the establishment of a sense of community is facilitated by a class of actors who carry a stigma and sense of stigmatization and are termed ‘deviant’. Unity is provided to any collectivity by uniting against those who are seen as a common threat to the social order and morality of a group. Consequently, the stigma and the stigmatization of some persons demarcates a boundary that reinforces the conduct of conformists. Therefore , a collective sense of morality is achieved by the Creation of stigma and stigmatization and deviance. â€Å"Author Gerhard Falk. The violation of any society’s norms is considering as Deviance. We can define deviance in a relative way because its definition differ between societies. For instance, The American culture consider such activities as purchasing of the service of prostitution, selling and smoking weed. On the other hand , the German or Netherlands culture consider same activities as acceptable. In Germany and Netherlands , prostitution is like any others jobs and it is legal. In Netherlands, smoking and selling weed is legal and you will not get arrested for it. The So called Deviant vary from one culture to another. To better understand the reasons which it occurs within a society, sociologist has developed these majors theories of deviance : Learning theory or socialization , control theory , labeling theory , conflictShow MoreRelatedEmile Durkheim s Theory Of The Founding Fathers Of Modern Sociology841 Words   |  4 PagesEmile Durkheim, is known as one of the founding fathers of modern sociology. Durkheim has the theory that every individual in a community, is to born to live and then die. A Durkheimian definition of community is that it has propinquity, which means residential closeness. Also has a social network where everyone in the community all know each other. Finally, a Durkheimian community must include a collective consciousness, which is when the people in the community share the same understanding of rightRead MoreThe Theories of Emile Durkkheim Essay1475 Words   |  6 PagesThe Theories of Emile Durkheim Emile Durkheim also referred to as â€Å"The Father of Sociology† (Thio, 2002), played a critical role in establishing theories based on â€Å"Social Facts† (Thio, 2002) He is best known for his views of â€Å"social reality†( Thio, 2002) and their ties into how a society works. He was said to be a sociologist who played an important part in the development of â€Å"structural functionalism† (Thio, 2002), and sociology as a whole. His four major studies, or publications, have assuredRead MoreAnalysis of Marx, Weber, and Durkheims Views Essay1223 Words   |  5 PagesThe sociological views of  the three founding fathers; Karl Marx,  Max Weber, and  Emile Durkheim  all assert that various aspects of our lifestyle are fully a product of the society in which we live. Each theorist views the impact of society and its manifestation of our identity in a different way. All three of these men used the Industrial Revolution  and capitalism to shape their theories of social identity, especially the identity created by capitalisms division of labor; the owners of the meansRead MoreSociology and Emile Durkheim2640 Words   |  11 PagesCompare and contrast the theories and methods of Emile Durkheim and Max Weber regarding social behavior. 1.Introduction Emile Durkheim and Max Weber are founding fathers of sociology and outstanding sociologists who made great contributions to the development of sociology and progress of human beings. Previous studies have been done about the theories and methods of Durkheim and Weber, and their works have also been studied for many times from different viewpoints, such as the nature of humanRead MoreSociology Emile Durkheim and Max Weber1495 Words   |  6 PagesThere are many different perspectives on the growth of modernity. Society is constantly changing as more time passes by. People like Emile Durkheim and Max Weber both offer their own individual perspective on how the growth of modernity came about and how we have come to understand today’s society. In the 1890s period Emile Durkheim a sociologist, in France watched the transformation of society go from a ‘primitive’ stance into something more complex also known as ‘organic solidarity’. Max WeberRead MoreEmile Durkheim And Karl Marx746 Words   |  3 PagesEmile Durkheim and Karl Marx are considered the founding fathers of sociology. Both men had an influence on the development of sociology. Marx and Durkheim differed in their idea of what alienation consisted of. For Marx, the issue was class conflict. While, for Durkheim, it was a disordered society trying to adapt. Although they both had different concepts of alienation, both men believed that alienation lead to a man’s disconnectedness with society and their natural state of mind. Durkheim andRead MoreThe Social Vs. The Individual946 Words   |  4 Pagesover the course of history. Emile Durkheim and William James are two main theorists whose research has had a significant effect on how religion is viewed by many today. Although Durkheim and James are on different sides of the spectrum when it comes to their explanations of the role of religion in society and in the individual, there are also many similarities that arise bet ween their findings. Emile Durkheim was a French philosopher and the founding father of sociology. He has many famous worksRead MoreDurkheim‚Äà ´s theories focusing on sociological methodology, division of labor and social solidarity1195 Words   |  5 Pages3 – Durkheim 03/29/2014 DURKHEIM: A SUMMARY OF THEORIES IN RELATION TO MARX AND WEBER Durkheim’s theories focusing on sociological methodology, division of labor and social solidarity The majority of Durkheim’s work is interested in society and societies ability to preserve coherence and rationality an period of increasing modernity. Throughout his work Durkheim was intensely concerned that society become a legitimate science, this is especially obvious when reading the book ‘Emile Durkheim:Read MoreSociological Imagination 1209 Words   |  5 Pagesideas that have been influential to sociology and everyday life as well. These sociological scholars paved the way for sociologists like Mills and allowed for ideas like the sociological imagination to develop. Comparatively, European sociology was more theory based and American sociology was mostly based around practical experiments and action. There are three main architects of modern sociology. These men are Emile Durkheim, Max Weber, and Karl Marx. Emile Durkheim analyzed the different stages ofRead MoreSociological Approach to the Study of Religion1673 Words   |  7 Pagespractice it. Sociology is one such approach that this essay will be looking at through its founding fathers Emile Durkheim, Max Weber and Karl Marx. Sociology in general looks at people’s dynamics and explains a group’s influence. It demonstrates how religious belief and practices have become so important over time and emphasises their role and significance throughout. Each of these three sociologists has a link to these ideas which will be the main thesis in this essay. Emile Durkheim looks at religion

Essay on James Joyces Dubliners - 1145 Words

James Joyces Dubliners Throughout James Joyce’s â€Å"Dubliners† there are four major themes that are all very connected these are regret, realization, self hatred and Moral paralysis, witch is represented with the actual physical paralysis of Father Flynn in â€Å"The Sisters†. In this paper I intend to explore the different paths and contours of these themes in the four stories where I think they are most prevalent ,and which I most enjoyed â€Å"Araby†, â€Å"Eveline†, â€Å"The Boarding House†, and â€Å"A Little Cloud†. The story of â€Å"Araby† is that of a young boy probably about the age of adolescence who is having his first crush on his friends sister. Although the boy seems to have no intention of realistically perusing the situation when the girl†¦show more content†¦To all of us reading the story the choice is clear, Eveline has no reason to stay home. Frank on the other hand seems like a great guy. Her inability too choose going with Frank or even show him any signs of recognition as seen here â€Å"Her eyes gave him no signs of love or farewell or recognition.†(Joyce P.33)shows a clear moral paralysis. Eveline in contrast to most of the other main characters shows no realization about what she has learned, has learned nothing about her self to hate and is stuck in a seemingly more hopeless moral paralysis. â€Å"The Boarding House† is one of the most interesting stories in the book. First we meet Mrs. Mooney, Polly Mooney the main character’s mother. Because of her history, mostly her exhusband she has become a very tough self sufficient women. Then we have Polly and her love entrust Bob Doran. At first it seems like Bob a thirty five year old matured man is taking advantage of this young sweet nineteen year old girl. As the story goes on and the Mrs. Mooney knows of the affair and lets it happen and then wants something from it we are still not sure. Then Mr. Doran’s indasigen when he was thinking of what had to be done. â€Å"Perhaps they could be happy together.......† It just made him seem so innocent and like a victim(Joyce P.58). But just like the two other stories I discussed the end tells all. Just before Mr. Doran was going to go down to meet with Mrs. Mooney Polly was sitting with him on the bed cryingShow MoreRelatedJames Joyce’s Dubliners Essay1493 Words   |  6 PagesJames Joyce’s Dubliners is a collection of short stories that aims to portray middle class life in Dublin, Ireland in the early twentieth century. Most of the stories are written with themes such as entrapment, paralysis, and epiphany, which are central to the flow of the collection of stories as a whole. Characters are usually limited financially, socially, and/or by their environment; they realize near the end of each story that they cannot escape their unfortunate situation in Dublin. These storiesRead MoreParalysis In James Joyces Dubliners1086 Words   |  5 PagesHopefully this Essay is Slightly More Intelligible than Finnegan’s Wake: Dubliners Essay â€Å"To be or not to be, that is the question.† Hamlet’s famous quotation implies only two solutions: to be, or to not be. However, there is another option that Shakespeare never explored: to remain paralyzed between the two states, unable to commit to either. James Joyce’s Dubliners is a collection of short stories first published in 1914, that follows the inhabitants of Ireland. Published nearly a half a centuryRead MoreJames Joyces Dubliners Essay1430 Words   |  6 PagesA Literary Analysis of Dubliners James Joyce created a collection of short stories in Dubliners describing the time and place he grew up in. At the time it was written, Joyce intends to portray to the people of Dublin the problems with the Irish lifestyles. Many of these stories share a reoccurring theme of a character’s desire to escape his or her responsibilities in regards to his relationship with his, job, money situation, and social status; this theme is most prevalent in AfterRead More Triangular Structure in James Joyces Dubliners1970 Words   |  8 PagesTriangular Structure in James Joyces Dubliners Within the body of literary criticism that surrounds James Joyces Dubliners is a tendency to preclude analysis beyond an Irish level, beyond Joyces own intent to create the uncreated conscience of [his] race. However, in order to place the text within an appropriately expansive context, it seems necessary to examine the implications of the volumes predominant thematic elements within the broader scope of human nature. The psychic dramaRead MoreReligion in James Joyces Dubliners Essay1452 Words   |  6 PagesReligion in James Joyces Dubliners Religion was an integral part of Ireland during the modernist period, tightly woven into the social fabric of its citizens. The Catholic Church wa s a longstandingRead MoreJames Joyces Dubliners Essay1450 Words   |  6 PagesDubliners James Joyce wrote Dubliners during the 20th century. As Joyce wrote Dubliners, he probably intended on telling what Ireland was like at the time that he wrote it. He uses many different themes in this book. He specifically uses the themes of light and dark and autonomy and responsibility to illustrate what life in Ireland is like. The stories that use these themes are â€Å"An Encounter†, â€Å"The Boarding House†, and â€Å"The Dead†. Each story contains the themes of light/autonomyRead MoreSymbolism Used in James Joyces Dubliners2126 Words   |  9 Pagesothers. James Joyce, a well-known Irish author, uses symbolism repeatedly throughout his collection of short stories published in 1916. In these stories, titled Dubliners, Joyce uses symbolism not only to enhance the stories, but to also show the hidden, underlying message of each story without coming out and saying it directly. Joyce’s stories are centered on the problems of Dublin and through his use of symbolism Joyce is able to focus attention on what problem each story is addressing. James JoyceRead MoreEssay on James Joyces Dubliners1404 Words   |  6 PagesDubliners James Joyce wrote the book Dubliners; Joyce expresses many different types of emotions throughout the book. The emotions portray individuals in society, and light and dark. The emotions of individuals are examined throughout the stories by other members in society. The stories that express the ideas are: â€Å"The Encounter,† â€Å"Eveline†, and â€Å"The Dead.† The symbolism of individuals in society expresses many different situations that are happening in the characters lives. TheRead MoreJames Joyces Dubliners Essay1422 Words   |  6 PagesDubliners In the story Dubliners by James Joyce, he writes about a few different themes, some of these being autonomy, responsibility, light, and dark. The most important of the themes though must be the individual character in the story against the community and the way they see it. I have chosen to take a closer look at â€Å"Araby,† â€Å"Eveline,† and â€Å"The Dead† because the great display of these themes I feel is fascinating. Many things affect the way the individual characters seeRead MoreEssay on Evelines Decision in James Joyces Dubliners790 Words   |  4 PagesEvelines Decision in James Joyces Dubliners      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In the short story, Eveline, James Joyce introduces us to the life of a young woman named Eveline. She has the opportunity to escape with Frank, the man she thinks she loves, to a faraway country in search of a new life.   Instead, she decides to stay in the dreary and gloomy life she already knows.   To understand Evelines final decision to stay we have to analyze the reasons that prevent Eveline from pursuing a better

Critical Analysis of Microcredit-Free-Samples-Myassignmenthelp.com

Question: Critically Analysis of Microcredit False Hopes and Real Possibilities. Answer: Introduction Making credits accessible for the people who are poor are considered to be a laudable aim. The tool for fighting with the global poverty is microcredit which is judged by the effectiveness. With the growing industry, it has been seen that there are different people who are borrowing the money worldwide from the bank or from the market (Pollin, 2007). They are, thereby, controlling the provision of banking services to the poor people in the world. Critical Analysis As per the analysis, the Grameen Style Initiative focuses on the limited capacity to fight mainly with the global poverty which is placed in the policy to handle the neoliberalism. The neoliberalism is considered to be the economic model with Grameen Bank working on operations focusing on eliminating the inflation rather than job opportunity expansion or cutting down the government subsidies which include the credit subsidies with support for the domestic business. It includes the microenterprise with opening the domestic markets to import and handle the speculative financiers. The policies are mainly used in the developing countries with slow economic growth and increasing equality where there is no progress in reducing the poverty as well (Hashim et al., 2015). To work with the Grameen Model, there are larger policy issues which are set under the undeniable contributions in bringing the services for finance mainly for the poor people. The major contribution is about the simple recognition of the credit and other related services of the bank accounts and the insurance policies which is considered important for the advancement of the poor and their well-being. The second is to target women who are loan recipients who tend to empower the women with the families and help in sustaining the home-based micro enterprises as well (Ali et al., 2015). The most important advancement is to develop the alternatives to the traditional collateral where you cannot obtain the loan till there are sufficient assets mainly for surrendering to the bank, wherein, one also fails to make the repayment for the loans. The innovation is mainly to create the borrowing groups mainly of women (5) so that they can receive the loans till they make payments. This could be helpful for mutual support and handle the peer pressure to keep up the payment limits. With the positive innovations, certain issues were related to lending rates by Grameen and the other micro financial institutions. The Grameen Bank has a long pride to maintain the rates of repayment as high as 95% where the accuracy of the figures is matched with rolling over or stretching the payments rather than declaring them to be a default. With this, the effective humane approach is based on a business model which is supported by increasing share of the micro-finance (Lightfoot et al., 2014). The credit terms are low or high, depending upon the situation, and the micro-enterprises which are running by the poor people cannot be successful mainly because they tend to increase opportunities for borrowing more money. For success, the need is to access to decent roads and means of moving the products to markets. The focus is on the vibrant and the well-functioning domestic market that encompasses the people with money to buy what all the enterprises have in cart to sell. The micro-business is generally set to expand the supply for the decent wage for paying jobs in their local economies. The best way is to maintain and work on the vibrant domestic market where there are a different number of people who tend to survive, even when the micro-entrepreneurs fall. This tends to reduce the competition among the micro-business with the improvement of the chances that will help in succeeding. The additional measures are for the support of micro-enterprises where the infrastructure of transportation and support in the marketing of the products is set to match with the high level of domestic demands. The association is mainly with the "developmental state" economic model. Here, the different versions are set for development state model which includes the state socialism, import-substituting industrialization and the East Asian state-directed economies. Conclusion The case is about how the alliance is able to bring in a better formal commercial banking system with micro-finance institutions. The key institutions of development state model work under neoliberalism where the subsidized credit went for the large-scale enterprise. They focus on the approach which can be adapted to expand the availability of affordable credits to small and micro enterprises. There is a need to realize how the micro-credit is able to embed the features with development strategy for promoting growth, decent employment, and poverty reduction. References Ali, I., Islam, M.S. and Hatta, Z.A., 2015. Microfinance Helps to Rural Women for Poverty Reduction in the District of Bogra, Bangladesh.Sociology and Anthropology,3(4), pp.218-225. Hashim, Y.A. and Dodo, P.D.P.G., 2015. Access to microfinance banks facilities and poverty reduction in Kano State, Nigeria.European Journal of Business and Management,7, pp.2222-1905. Lightfoot, W.S. and van der Vorm, B., 2014. Macrocredit: a shared value approach to reducing poverty in rural Africa. Pollin, R., 2007. Microcredit: False hopes and real possibilities.Foreign Policy Focus.

Virgil At Odds Essay Example For Students

Virgil At Odds Essay While on the surface the Aeneid could be seen as a Roman epic meant to glorify Rome and rival those of the ancient Greeks, the author was engaged in a struggle. Virgil had to satisfy the cultural demands of his work, the political demands of his time, and his own personal demands as an artist. In tackling his problem, Virgil is revealed to be slightly reluctant of embracing fully the still young regime of Octavian but still proud of Rome and his ancestry, and concerned with the moral issues of civil war. When considering the style with which Virgil composed the Aeneid, it is important to look at the time in which he lived and exactly what was going on around him when it was written. Virgil was born in 70 BC and died in 19 BC. This places him in the very beginning of what was to be a long and relatively stable existence of the Roman Empire. Further, it was during the poets lifetime that Rome made citizens of all Italians, allowing a huge community to share in Romes growing heritage. People who formerly may have felt like outcasts under the oppression of Rome could now call Rome their own. We will write a custom essay on Virgil At Odds specifically for you for only $16.38 $13.9/page Order now This included Virgil because he came from a provincial Italian town far outside Rome. W. A. Camps cites that while Virgil was still a young man, his familys estates were confiscated by Caesar to be given to veterans of the battle of Philippi 1. Caesar was eventually assassinated and the next twenty years of the poets life are shaded by bloody struggles for power among heirs and military leaders. Eventually Caesars adopted son Octavian defeats Marc Antony and Cleopatras forces and brings all Rome under his rule, in about 30 BC. This is important because Virgil had been fond of Octavian, although it is not known if he publicly supported anyone during the conflict. It is known that Virgil came to enjoy first the friendship then the patronage of Octavian and his minister Maecenas, both of whom bestowed a small fortune upon him Freeman 389. While Virgil accepted their patronage he was still wary of capitulating the new emperor and sacrificing any integrity. Charles Freeman writes that Virgils contemporary, Horace also reflects these feelings. Octavian, now known as Caesar Augustus, took a liking to Horace just as he did Virgil, endowing him with gifts and money. Eventually Augustus asked Horace to be his secretary, and Horace refused, citing the need to protect his integrity as a poet. 391 Virgil felt great gratitude towards an emperor who vigorously supported the arts and brought the Empire much stability but at the same time faced a moral dilemma. Augustus was looking for a poet to write a national epic about him and his rise to power. In a letter Augustus wrote to Maecenas he says, If I had any talent for the heroic epic, Id not waste my time on stories from mythology . . . Id write about Caesars wars and achievements qtd. in Quinn 27. This sheds light on the morality issue Virgil faced as an artist. There were plenty of epic poets available in Rome at the time, and plenty were approached with this daunting task of writing an epic with Augustus as the hero. Nearly all declined, and even Virgil was reluctant. That says something about the attitudes of the poets of his time. They were not interested in art for arts sake. They wanted to create of their own accord something that came from within. Kenneth Quinn points out that they wrote with very high standards of integrity, and wrote not for widespread popularity of their works but for approval of their literary peers 30. Poets were writing of their own personalities; their own views and ideas of right and wrong. They were not to be leased out for purposes of glorifying Romes leader. In a widely known of reply to Augustus letter inquiring as to Virgils progress, the poet writes that he thinks he may have been out of his mind to have undertaken the task in the first place Freeman 387. .u3bcef06ed7c6b716128de3d054289f80 , .u3bcef06ed7c6b716128de3d054289f80 .postImageUrl , .u3bcef06ed7c6b716128de3d054289f80 .centered-text-area { min-height: 80px; position: relative; } .u3bcef06ed7c6b716128de3d054289f80 , .u3bcef06ed7c6b716128de3d054289f80:hover , .u3bcef06ed7c6b716128de3d054289f80:visited , .u3bcef06ed7c6b716128de3d054289f80:active { border:0!important; } .u3bcef06ed7c6b716128de3d054289f80 .clearfix:after { content: ""; display: table; clear: both; } .u3bcef06ed7c6b716128de3d054289f80 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3bcef06ed7c6b716128de3d054289f80:active , .u3bcef06ed7c6b716128de3d054289f80:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3bcef06ed7c6b716128de3d054289f80 .centered-text-area { width: 100%; position: relative ; } .u3bcef06ed7c6b716128de3d054289f80 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3bcef06ed7c6b716128de3d054289f80 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3bcef06ed7c6b716128de3d054289f80 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3bcef06ed7c6b716128de3d054289f80:hover .ctaButton { background-color: #34495E!important; } .u3bcef06ed7c6b716128de3d054289f80 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3bcef06ed7c6b716128de3d054289f80 .u3bcef06ed7c6b716128de3d054289f80-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3bcef06ed7c6b716128de3d054289f80:after { content: ""; display: block; clear: both; } READ: Greek and Roman Architecture essay exampleHe was obviously struggling to balance his need to satisfy himself artistically without sacrificing principle and simultaneously honor the emperor Augustus. As is obvious in the work, Virgil is unable to clearly conquer his moral problem, seeming to side-step it. He must focus on the historical epic, and glorify the emperor rather indirectly. This is exemplified in a Book II passage mentioning Iulius, son of Aeneas and source of the Julius Caesar lineage. A point on Iulius head seemed to cast light, a tongue of flame that touched but did not burn him, licking his fine hair, playing round his temples. 60-862 Virgil symbolically prop hesizes the greatness to come of his posterity. Again in Book IV the poet sings of the glory to come to Iulius and his heirs, as well as Rome. The god Mercury speaks to Aeneas, Think of the expectations of your heir, Iulius, to whom the Italian realm, the Land of Rome, are due 356-357. Aeneas is reminded of the glory of the future that is Rome and the role that his son would play. The poet, as earlier mentioned, was not a native of Rome. He first alludes to the Italian realm then to Rome herself, reflecting that newfound feeling of unity and nationality among Italians. In preparation for the war with Turnus, a magic shield brought to Aeneas by Venus depicts the future glories of Rome. Among the numerous drawings is one showing the victory at Actium. Augustus is leading the charge with flames flowing from his brow. Virgil then tells of Agrippa and Antonius being honored on the shield . Apart from reference to a flaming brow, they are honored in just the same fashion as Augustus Book VIII 90-106. Augustus is not alone in being accredited for the victory at Actium. The poet is careful to place his emperor above the other two naval leaders but not so far as to cheapen the contributions of Antonius and Agrippa, or give solely credit to Augustus. Virgil tends to be oblique in his reverence to Augustus, but it is rather unrealistic to expect the poet to have written such a work and completely leave out direct homage to the man bringing peace to the empire not to mention supporting the poet quite generously. Aeneas is before his father in the underworld when a clear prophecy honoring Augustus is relayed to him. Anchises declares this is the man, this one, Of whom so often you have heard the promise, Caesar Augustus, son of the deified, Who shall bring once again an Age of Gold To Latium 665-669. Virgil is symbolically honoring the Julio-Claudian line as it was called, or the descendants of Iulius. In acknowledging Augustus to be progeny of Aeneas, Virgil is again able to extol the emperor while skirting unashamed eminence. As was a budding tradition at the time, the emperors of post-Republic Rome were to be deified and worshipped as a god. Virgil stops short of this, but tells of a link in ancestry to the son of a God. The poet then prompts Anchises to sing more praise of Augustus, perhaps to overshadow the neglect to deify Augustus straightly. The truth is, even Alcides2 Never traversed so much of the earth. 679-680. He does not blatantly model his hero after the emperor however, and leaves nothing in the writing acknowledging this, it must be inferred. This takes the weight of his moral problem off of the authors shoulders and places the problem of solving it onto those of the reader. In grappling with the issue of civil war, Virgil is able to symbolize the dilemma of the victor. A fine description of just how symbolism is brought has Quinn quoting R. D. Williams. Symbolism is the poets way of suggesting different levels of significance at which his words may be taken, while allegory is the cruder method of equating. 55 Everyone in Rome knew or at least expected the Aeneid to glorify Augustus, but Virgil will simply not come out and say it. Both Augustus and Aeneas were not fighting hated enemies; they were fighting other Italians. .u1e745406702c354b1758201df9228737 , .u1e745406702c354b1758201df9228737 .postImageUrl , .u1e745406702c354b1758201df9228737 .centered-text-area { min-height: 80px; position: relative; } .u1e745406702c354b1758201df9228737 , .u1e745406702c354b1758201df9228737:hover , .u1e745406702c354b1758201df9228737:visited , .u1e745406702c354b1758201df9228737:active { border:0!important; } .u1e745406702c354b1758201df9228737 .clearfix:after { content: ""; display: table; clear: both; } .u1e745406702c354b1758201df9228737 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1e745406702c354b1758201df9228737:active , .u1e745406702c354b1758201df9228737:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1e745406702c354b1758201df9228737 .centered-text-area { width: 100%; position: relative ; } .u1e745406702c354b1758201df9228737 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1e745406702c354b1758201df9228737 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1e745406702c354b1758201df9228737 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1e745406702c354b1758201df9228737:hover .ctaButton { background-color: #34495E!important; } .u1e745406702c354b1758201df9228737 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1e745406702c354b1758201df9228737 .u1e745406702c354b1758201df9228737-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1e745406702c354b1758201df9228737:after { content: ""; display: block; clear: both; } READ: Why Roman Architectures Are Considered One of the Best EssayBoth their causes were seen as just, hence the ends justify the means. This is a sensible route to take when trying to defend civil war. Virgil fulfills the expectation to produce a patriotic work, and ennobles Augustus and his victory at Actium, but provides a subtle and humane comment on the price paid, the fact that civil war was needed to attain stability, and the blood spilled was that of their own. He will not clean the hands of the victors, despite his support of their cause Highet 61. Marc Antony was not a hated man. He was the emperor of the entire eastern half of the Roman Empire. He lost popularity by allying himself with Cleopatra it is true but nonetheless he had legions of supporters. That brought a need for Virgil to show Augustus as a unifier, not so much for Augustus sake, but for the populace of the Empire. The poet sought to soften some of the bitterness of the conflict. By having Aeneas leave Dido despite the fact that he loves her, Virgil displays honor to duty above all, a classic element of Stoicismthe reigning philosophy of the Roman Republic/Empire. Perhaps he is likening the hero to Julius Caesar, who left Cleopatra when Rome called. That likeness at the same time leads us to frown upon Marc Antony and his failure to abandon the Egyptian queen. However, Dido is greatly pitied and is not painted as an enemy in the story. The hero encounters the slain queen in the Underworld and speaks to her I swear by heavens stars, by the high gods, By any certainty below the earth, I left your land against my will, my queen. The gods commands drove me to do their will.. Book VI 242-244. This loose attribution to the civil war just won by Augustus neatly places the sentiments of Romans to the plight of Marc Antony and his supporters. It likewise shows Virgils reluctance to chastise them as the enemy. The poet will not precisely identify Aeneas with any one man. As far as the heros exploits, refer to his manipulation of symbolism and see that he refuses to simply re-tell reality with the names changed. Virgils whole strategy was basically to leave inference to the reader, and never let any social pressures present at the time rear their heads in his work. His use of symbolism for the most part distorts any hope of a crystal-clear parallel. This stylizing of a lack of clarity could have roots in the poets past personal experiences with an Emperor. It was Caesar, after all, who appropriated the lavish villa of Virgils family many years before. This event undoubtedly instilled a sense of uncertainty in the poet concerning the autocrat. Virgil did not, however, bear any malice either. Be it out of his own Stoic influence or admiration for Augustus the man. Those background circumstances aside, the Aeneid is nothing short of an epic drenched in Roman and Italian pride. Rome saw itself as the light in a dark world. It was held that their civilization was the greatest since Athens in its heyday, and the poets conformed. The Iliad and Odyssey are oral tales that were handed down, arguably more the creation of legend than that of Homer. They could be deemed products of an entire society. The Aeneid was contrarily a singular voice, of one man alone. It was the product of an individual; free in a relative sense of the word. It lacked social constraints but still respected the ideals behind those very constraints.

Arts and Crafts essayEssay Writing Service

Arts and Crafts essayEssay Writing Service Arts and Crafts essay Arts and Crafts essayTo understand the reasons of the Arts and Crafts Movement starting in Britain in the1880’s, wemay compare it to the modern phenomenon of high-tech interiors consideredunwelcoming andlacking the true comfort of home, sweet home. The Scandinavian,Provence and Eco styles using handmade objects and decorations together with plenty of naturalmaterials and patterns are preferred by many as those that effectively create a comfortable,relaxinghome environment.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The Arts and Crafts Movement began in response and protest of architects, designers andartists to the effects of industrialization, mass-production methods,poor working conditionsatfactories,and manufacturedconsumer goodsthat usually had poor design andquality.WilliamMorris, who isconsidered thefather and the guiding light of the Arts and Crafts Movement,proclaimedits ideals:individualcraftsmanship, the home as a work of art, and the beauty ofhandmade goodsthat pro vided bothfunction and art. John Ruskin, Morris, and othersadvocatedthe socio-economic reforms forliving and workingin a more pleasant environment, integratinglabor and art and placing valueon hand labor and natural materials as well as designs inspired bynature.They encouraged the development of small workshops and individual craftsmen, as wellas the usage and revival of handcrafted work and techniques such as embroidery, tapestry,engraving,stained glass, andcalligraphy.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Morris Co, a company created by William Morris, is world-renownedfor its hand-woven tapestries and fabrics, wood furniture, printed textiles and wallpapers,embroideries aswell as stained glass which can be found in many churches in Britain.His designs featuringintricateintertwining fruit, leaf and floral patterns are still popular today and do not look old-fashioned.Inspired by nature, they becamethe classics that are still considered stylish.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚   The Arts and Crafts ideals and philosophies were adopted and adapted by other countries,as the Arts and Crafts Movement further spread across America,Europe and Japan.In America,it acquired its own form and expression, andits major figures were Frank Lloyd Wright,GustavStickley, Charles and Henry Greene. Their unique and veryindividual responses to Arts andCrafts ideals were making the goods more affordable by using factory methods to produce theirbasic components (Stickley), considering the house a total workof art anddesigning furniturespecifically for each room(Greene Greene), and believing thatthe space within the building isthe reality of that building(Frank Lloyd Wright).Gustav Stickley claimed that the living roomshould be the heart of the home, while Frank   Lloyd Wright established another rule that is stillused and considered essential today: each home must be built with two things in mind – thespecificsof its location and theneeds of its owners.

Essential Tips to Complete a Hooking Sociology Personal Statement

Essential Tips to Complete a Hooking Sociology Personal Statement Essential Tips to Complete a Hooking Sociology Personal Statement Sociology is the study of the development, structure, and functioning of human society. It is a fascinating area of study that is becoming increasingly popular making it increasingly difficult to secure a course place on the most highly-valued courses. One of the ways in which courses such as Sociology differentiate between the numerous candidates competing for the available courses places is through the use of a personal statement. Getting good grades is still very important, but a personal statement gives the assessors insights into the candidates beyond what a set of grades can tell you. In this article, we will look at what should be included in a Sociology Personal Statement, and we’ll give you some examples of how to ensure that your Sociology Personal Statement stands out from the crowd and helps you secure a place in the course to which you aspire. What Is a Sociology Personal Statement This is a written description of yourself, detailing your skills and experience, why you wish to study sociology, and why you have applied to this specific course. How to Write a Sociology Personal Statement When you are writing your personal statement, it is important that you are original. It is great to get some advice and assistance to complete the task, but you need to avoid simply copying someone else’s personal statement. Your personal statement needs to be authentic. It needs to be about you. It needs to accurately reflect who you are and what you believe. By being authentic, you will have a greater chance of securing the course place you are applying for. If you have simply copied someone else’s statement, then you will sound the same as everyone else and will not stand out from the crowd. Your personal statement should include the three following key aspects: What makes you think that sociology is the right career for you? What makes you think that this specific course is the right course for you? What skills and experience do you have that make you a good candidate for this course? Testing Your Sociology Personal Statement Make sure you get someone you trust to read your personal statement and give you some honest and constructive criticism. Friends and family are good, but ideally, this should be someone from your professional network who will have an understanding of what a high-quality personal statement should achieve. It is also important to get your sociology personal statement professionally proofread. There is nothing worse than messing up your application chances simply because of a few simple grammar or typographical errors. It is not easy to write a compelling personal statement, but it is a skill that will stand you in good stead. Start practicing that skill, draft up a personal statement and keep working at it. If you have a core draft that you are confident with, then you can tailor and adapt it depending on the institution that you are applying to. Your sociology personal statement could be the first step to the career that you have always dreamed about.

Comparison of Eugene Henri Paul Gaugins Brooding Woman (1891) and Essay

Comparison of Eugene Henri Paul Gaugins Brooding Woman (1891) and Gabrielle with Jewel Box by Auguste Renoir (1910) - Essay Example Painted in 1910, the picture is oil on canvas, with dimensions of 82cms.high x 65.5cms. wide, and is held privately in the Ikira Collection in Geneva in Switzerland. When he painted it, Renoir was suffering from severe rheumatoid arthritis, as he did for the last 25 years of his life. His hands were so deformed that the brushes had to be strapped between his fingers and bandages worn to collect the sweat and prevent infection. He could not abandon the creative urge to paint and even direct the making of sculptures. He believed that this helped him to live as normal a life as possible, despite pain and deteriorating health. The subject here, Gabrielle Renard was his wife Aline's cousin, and nanny to his children. She joined the family at the age of 16, and was the model for many of his works. At the time of completion of 'Gabrielle with Jewel Box', she was 32 years old. The style of the painting captures the essence of the Impressionist movement, though late in his career; it still embodies the translation of light into color, giving a shimmering, atmospheric effect. It is said that he had moved on from the open air paintings which were a key feature of the Impressionist movement, where nature was captured and atmospheric conditions portrayed. This picture would seem to confirm that idea. This is something it has in common with the woman in Gaugin's work under discussion. Not that it is not natural. On the contrary, there is something totally real and comfortable about this young woman in half-undress that speaks of the realism and desire for things to be painted as they were; natural and unimpeded by imaginary additions, just the unadorned truth of what the artist perceived. This premise may be applied, in part, to 'Brooding Woman.' In order to achieve the effects mentioned earlier, Renoir used only certain colors, and as can be seen, little darkness is present to represent shadows in the background. These are merely suggested by pure and definite color in the foreground. There is chrome yellow, silver white, cobalt, and ultramarine in the necklace she wears, then vermilion and rose, in fact all the colors of his palate. As in the Gaugin, the girl is the focal point, placed within a basic triangular composition, with the arms balanced in such a way as to create a moving elliptical shape. Yet there is nothing angular in any aspect of this three dimensional construction, all is gently curved from her face to her fingers, breast to jewelry box. The circular curving movements are repeated further in the table's leg and front, the mirror's side and Gabrielle's hair, shoulders and legs. The positioning of the arms draws attention to the detailed objects she holds, a flower to pin in her hair, a jewel to be chosen fro m the box on her lap. The short, sharp brushstrokes, while creating a luminescent light in the detail of jewelry and gilded dressing table, bring the gown alive, as if it were made of feathers or delicate lace. It suggests luxury, something which Gaugin's woman is totally without. The darkest sections of the picture serve as complementary colors which give the whites, reds, golds and oranges a further vibrancy. Gaugin achieves the same effect, but with more definite use of dark against light. The most outstanding aspect

Fertile Crescent Essay Example | Topics and Well Written Essays - 1500 words

Fertile Crescent - Essay Example The physical location of Garden of Eden is traditionally associated with the Fertile Crescent. Due to its fertility people settled around the area and as people settle, they were forced to engage in different activities to make their life comfortable. The Fertile Crescent is considered as the birthplace of urbanization, trade, science, writing, agriculture and organized religion. It was first populated c.10,000BCE when the domestication of animal and agriculture began in the region. By 9,000 BCE, the cultivation of cereals and wild grains was widespread, and irrigation of crops was fully developed by 5,000BCE. The farming of wool-bearing sheep was practiced widely around 4,500BCE. Cities began to rise Eridu being the first according to Sumerians in 5,400 BCE, and then Uruk and the others followed. These cities started to increase around 4,500 BCE and cultivation of wheat and grain was practiced in addition to the further domestication of animals. Image of the variety of dog known as the Saluki regularly appeared on vases and other ceramics as well as wall paintings by the year 3,500 BCE. Due to the fertility of the soil, people were encouraged for further cultivation of barley.Some of the first beer in the world was brewed in the great cities of the Tigris and Euphrates Rivers. Ancient evidence of beer brewing comes from the Sumerian Godin Tepe settlement in modern-day Iran. From 3,400BC, the priests were in charge of the distribution of food and the careful monitoring of surplus for trade.

National Debt :: Argumentative Economics Economy Papers

National Debt Who is to blame for amassing such debt in times of peace and relative prosperity, a debt that would have shamed our nation's founders? ALL OF US! First there was the Republican presidents of Ronald Reagan and George Bush who lacked simple economic sense, calculated their budgets more for political gain than for economic effect. While the Democrats controling Congress who resisted the spending cuts and tax increases needed to balance the budget. Last and most important the voters who supported the candidates of both parties who kept telling us what we wanted to hear instead of what we needed to hear. Every year, the federal government spends more than it collects in taxes. To make up the differences, the government borrows hundreds of billions of dollars annually, competing in the marketplace against private enterprise for the use of the money saved by American citizens. The deficit amounts to $1,150 for every single American. That is the sum your government borrowed on your behalf last year, whether you wanted them to or not. We will continue our viscious cycle of having to raise taxes, cut spending, and borrow more and more money to pay interest upon interest. Yes, I feel the Republican Plan should be vetoed just because they are planning to make those draconian cuts into our social fabric. And of those social fabrics is education for our future children. They want to cut spending in education, raise taxes, and give tax breaks for the rich. It helps only the rich voters who support the Republicans and gives more money to the Republicans for government spending. And does nothing for the

Coyote Blue Chapter 28~29

CHAPTER 28 Hope Is Bulletproof, Truth Just Hard to Hit As Minty Fresh drove back to Las Vegas he thought about what Sam had said: â€Å"You have a mother, don't you?† And the question set Minty Fresh to thinking about a phone call from his mother that had changed his life. â€Å"You're the only one left can do something, baby. The others are too far or too far gone. Please come home, baby, I need you.† (Even when he had to duck to pass through her front door she still called him â€Å"baby.†) That tone: he'd heard it in her voice before, when she was tugging at her husband to get him to stop strapping her youngest. But he hadn't gone back for her, had he? It was a call deep with duty and silent pride that brought him home. He went back for Nathan. Nathan Fresh had never been home when any of his nine children were born. He was a sailor, and as far as he knew, when you came home from sea a new child would be waiting for you. The others grew an inch or two at a time, and the shoes that one was wearing when you left would be on the next one down when you got home. He loved his children, foreign creatures that they were, and trusted his wife to raise them – as long as they could line up, snap to, and pass inspection when he came home. And although he was gone most of the time, making the high seas safe for democracy, he was a presence in the house: photographs in crisp dress whites and blues stared down from the walls; commendations and medals; a letter once a week, read out loud at the supper table; and a thousand warnings of what Papa would do to a doomed misbehaver when he got home. To the Fresh children, Papa was only a little bit more real than Santa Claus, and only a bit more conspicuous. On the ship, Chief Petty Officer Nathan Fresh was known only as the Chief: feared and respected, tough and fair, starched, razor creased, and polished, always in trim and intolerant of anyone who wasn't. The Chief: did you notice that he was black? only five foot five? barely 130 pounds? No, but did you see his eyes, like smiles, when he was showing the pictures of his kids – when he was telling tales of lobbing shells the size of refrigerators into the hills of Korea? Did you ever mention retirement to him? That's a frost, that's a chill. Minty Fresh, the youngest of nine, the one born with golden eyes, knew the chill. â€Å"He's not mine,† Papa said – said it only once. Minty stayed out of Papa's way when he could, wore dark glasses when he couldn't. At age ten he stood six feet tall and no amount of slouching would roll Papa's resentment off his back. His place in the family was a single line at the bottom of a letter – â€Å"Baby's fine too† – far enough from â€Å"Love, Momma† to deny the association. At night, by flashlight, he wrote his own letters: â€Å"My team is going to the state championships. I was voted all-conference. The press calls me M. F. Cool, because I wear tinted goggles when I play, and sunglasses during interviews. The colleges are calling already and sending recruiters to the games. You'd be proud. Momma swears you're wrong.† In the bathroom he watched the letters go, in tiny pieces, around the bowl, down, and out to sea. Minty Fresh left for the University of Nevada at Las Vegas the week after high school graduation, the same week that Nathan Fresh took his mandatory retirement from the navy and came home, to San Diego, for good. The coach at UNLV wanted Minty to lift weights all summer, beef up for the big boys. The coach gave Momma Fresh a new washer and dryer. Nathan Fresh put them out on the porch. The day before the first game, when UNLV was going to unleash its secret weapon on the unsuspecting NCAA – a seven-foot center with a three-foot vertical leap who could bench-press four hundred pounds and shoot ninety percent from the free-throw line – M. F. Cool got the call. â€Å"I'm on my way, Momma,† he said. â€Å"My father needs me,† he said to the coach. â€Å"When we brought you up from nothing, gave you a full scholarship, put up with the goggles and the shades and the silly name? Gave your mother a washer and dryer? No. You won't miss the season opener. You're mine.† â€Å"How touching,† Minty said. â€Å"No one has ever said that to me before.† Perhaps, he thought later, stuffing the coach in that locker had been a mistake, but at the time a few hours in seclusion, among socks and jocks, seemed just what the coach needed to gain some perspective. He broke the key off in the padlock, tore the M. F. Cool label off the locker, and went home. â€Å"He's been gone four days now,† Momma said. â€Å"He drinks and gambles, hangs out at the pool hall 'til all hours. But he always came home before. Since he retired, he's changed. I don't know him.† â€Å"Neither do I.† â€Å"Bring him home, baby.† Minty took a cab to the waterfront and ducked in and out of a dozen bars and pool halls before he realized that Nathan would go anywhere but the waterfront. There were sailors there, reminders. After two days of searching he found Nathan, barely able to stand, shooting pool with a fat Mexican in a cantina outside of Tijuana. â€Å"Chief, let's go. Momma's waiting.† â€Å"I ain't no chief. Go away. I got a game going.† Minty put his hand on his father's shoulder, cringing at the smell of tequila and vomit coming off him. â€Å"Papa, she's worried.† The fat Mexican moved around the table to where Minty stood and pushed him away with a cue stick. â€Å"My friend, this one goes nowhere until we get what he owes us.† Two other Mexicans moved off their barstools. â€Å"Now you go.† He poked Minty in the chest with the cue stick and Nathan Fresh wheeled on him and bellowed in finest chief petty officer form. â€Å"Don't you touch my son, you fucking greaseball.† The Mexican's cue caught Nathan on the bridge of the nose and Nathan went down, limp. Minty palmed the Mexican's head and slammed his face into the pool table, then turned in time to catch each of the two coming off the bar with a fist in the throat. Another with a knife went airborne into a Corona mirror, which broke louder than his neck. Two more went down, one with a skull fractured by a billiard ball; one, his shoulder wrenched from its socket, went into shock. There were seven in all, broken or unconscious, before the cantina cleared and Minty, dripping blood from a cut on his arm, carried his father out. Momma met them at the hospital and stood with Minty as Nathan came around. â€Å"What are you doing here, you yellow-eyed freak?† Minty walked out of the room. Momma followed. â€Å"He don't mean it, baby. He really don't.† â€Å"I know, Momma.† â€Å"Where you going?† â€Å"Back to Vegas.† â€Å"You call when he sobers up. He'll want to talk to you.† â€Å"Call me if you need me, Momma,† he said. He kissed her on the forehead and walked out. She called him every week, and he could tell by her whisper that Nathan was home, was fine. It made him fine too – not M. F. Cool, just M.F., the one who handled things. All that was missing was the feeling of being needed, essential, bound to duty. Sam had said, â€Å"You have a mother, don't you?† Minty steered the limo off the next exit, across the overpass, and back on the highway, headed back to King's Lake. -=*=- It had taken Steve, the Buddhist monk, only a half hour to put the car back together. When Sam tried to figure out a way to pay for the repairs, Steve said, â€Å"All misery comes from desire and connection to the material. Go.† Sam said thanks. Now he was driving the Z into Utah. Calliope was asleep on Coyote's lap. Coyote snored. Sam passed the time trying to figure out how long it would take to get to Sturgis, South Dakota, the location of the rally that the Guild was going to. About twenty hours, he thought, if the car held together. From time to time he looked over at Calliope and felt a twinge of jealousy toward Coyote. She looked like a child when she slept. He wanted to protect her, hold her. But it was that childlike quality that frightened him as well. Her ability to dismiss facts, deny the negative, to see things so clearly, but so clearly wrong. It was as if she refused to accept what any reasonable adult knew: the world was a dangerous, hostile place. He brushed a strand of hair out of her face before looking back to the road. She murmured, and came awake with a yawn. â€Å"I was dreaming about sea turtles – that they were really dinosaur angels.† â€Å"And?† â€Å"That's all. It was a dream.† Sam had been thinking about it too long, so there was anger in his voice when he asked her, â€Å"Why didn't you call me before you went after Lonnie?† â€Å"I don't know.† â€Å"I was worried. If it weren't for Coyote, I would have never found you.† â€Å"Are you two related?† She seemed to be ignoring his anger. â€Å"You look a lot alike. He has the same eyes and skin.† â€Å"No, I just know him.† Sam didn't want to explain, he wanted an answer. â€Å"Why didn't you call me?† Calliope recoiled at his harshness. â€Å"I had to go get Grubb.† â€Å"I could have gone with you.† â€Å"Would you have? Is that what you wanted?† â€Å"I'm here, aren't I? It would have been a hell of a lot easier if I didn't have to chase you across two states.† â€Å"And maybe you wouldn't have done it if it was a hell of a lot easier. Would you?† The question, and her tone, threw him. He thought for a minute, looking at the road. â€Å"I don't know.† â€Å"I know,† she said softly. â€Å"I don't know much, but I know about that. You're not the only man that ever wanted me or wanted to rescue me. They all do, Sam. Men are addicted to the wanting. You like the idea of having me, and the idea of rescuing me. That's what attracted you to me in the first place, remember.† â€Å"That's not true.† â€Å"It is true. That's why I had sex with you so soon.† â€Å"I don't get it.† This was not at all how Sam had expected her to react. His brief moment of self-righteousness had degraded into self-doubt. â€Å"I did it to see if you could get past the fantasy of wanting me and rescuing me, to the reality of me. Me, with a baby, and no education, and a lousy job. Me, with no idea what I'm going to do next. I can't stand the wanting coming at me all the time. I have to get past it, like I did with you, or ignore it.† â€Å"So you were testing me?† Sam said. â€Å"That's why you took off without telling me?† â€Å"No, it wasn't a test. I liked you, but I have Grubb to take care of now. I can't afford to hope.† She was starting to tear up. Sam felt as if he'd just been caught stomping a litter of kittens. She took Grubb's blanket from behind the seat and wiped her eyes. â€Å"You okay?† Sam asked. She nodded. â€Å"Sometimes I want to be touched and I pretend that I'm in love – and that someone loves me. I just take my moments and forget about hope. You were going to be a moment, Sam. But I started to have hope. If I'd called you and you had said no, then I would have lost my hope again.† â€Å"That's not how I am,† Sam said. â€Å"How are you, then?† Sam drove in silence for a while, trying to think of something to say – the right thing to say. But that wasn't the answer either. He always knew the right thing to say to get what he wanted, or had until Coyote showed up. But now, he didn't know what he wanted. Calliope had declared wanting a mortal sin. Talking to a woman, to anyone, without having an agenda was completely foreign to him. Where was he supposed to speak from? What point of view? Who was he supposed to be? He was afraid to look at her, felt heat rise in his face when he thought about her looking at him, waiting. Maybe the truth? Where do you go to find the truth? She had found it, let it go at him. She had laid her hope in his hands and she was waiting to see what he would do with it. Finally he said, â€Å"I'm a full-blooded Crow Indian. I was raised on a reservation in Montana. When I was fifteen I killed a man and I ran away and I've spent my life pretending to be someone I'm not. I've never been married and I've never been in love and that's not something I know how to pretend. I'm not even sure why I'm here, except that you woke something up in me and it seemed to make sense to run after something instead of away for a change. If that's the horrible act of wanting, then so be it. And by the way, you are sitting on the lap of an ancient Indian god.† Now he looked at her. He was a little out of breath and his mind was racing, but he felt incredibly relieved. He felt like he needed a cigarette and a towel – and maybe a shower and breakfast. Calliope looked from Sam to Coyote, and then to Sam again. Her eyes were wider each time she looked back. Coyote stopped his snoring and languidly opened one eye. â€Å"Hi,† he said. He closed his eye and resumed snoring. Calliope bent over and kissed Sam's cheek. â€Å"I think that went well, don't you?† Sam laughed and grabbed her knee. â€Å"Look, we've still got twenty hours on the road and I'm going to need you to drive. So get some sleep, okay? I don't trust him at the wheel.† Sam nodded toward Coyote. â€Å"But he's a god,† Calliope said. â€Å"‘As flies to wanton boys, are we to the gods;/They kill us for their sport. â€Å" â€Å"What an icky thing to say.† â€Å"Sorry. Shakespeare wrote it. I can't get it out of my mind this week. It's like an old song that gets stuck.† â€Å"That happened to me once with ‘Rocky Raccoon. â€Å" â€Å"Right,† Sam said. â€Å"It's exactly like that.† CHAPTER 29 Shifting Sam drove through the day and into the night and finally stopped at a truck stop outside of Salt Lake City. Calliope and Coyote had been awake for the last few hours, but neither had spoken very much. Calliope seemed embarrassed about talking to the trickster, now that she knew he was a god, and Coyote just stared out the window, either lost in his own thoughts or (Sam thought this more likely) absorbed in some new scheme to throw people's lives into chaos. From time to time someone would break the silence by saying, â€Å"Pretty rock† – a statement which covered the complete observational spectrum for Utah's landscape – then they would lapse into silence for a half hour or so. Sam led them into the truck stop and they all took stools at a carousel counter among truckers and a couple of grungy hitchhikers who were hoping to cadge a ride. A barrel-shaped woman in an orange polyester uniform approached and poured them coffee without asking if they wanted it. Her name tag read, Arlene. â€Å"You want something to eat, honey?† she asked Calliope with an accent warm with Southern hospitality. Sam wondered about this: no matter where you go, truck-stop waitresses have a Southern accent. â€Å"Do you have oatmeal?† Calliope asked. â€Å"How 'bout a little brown sugar on that?† Arlene asked. She looked over rhinestone-framed reading glasses. Calliope smiled. â€Å"That would be nice.† â€Å"How 'bout you, darlin'?† she said to Coyote. â€Å"Drinks. Umbrellas and swords.† â€Å"Now you know better'n that – come into Mormon country and order drinks.† She shamed him with a wave of her finger. Coyote turned to Sam. â€Å"Mormon country?† â€Å"They settled in this area. They believe that Jesus visited the Indian people after he rose from the dead.† â€Å"Oh him. I remember him. Hairy face, made a big deal about dying and coming back to life – one time. Ha. He was funny. He tried to teach me how to walk on water. I can do it pretty good in the wintertime.† Arlene giggled girlishly. â€Å"I don't think you need any more to drink, hon. How 'bout some ham and eggs?† Sam said, â€Å"That'll be fine, two of those, over easy.† Sam watched Arlene move around the counter, flirting with some of the truckers like a saloon girl, clucking over others like a mother hen. She snuck a cinnamon roll to a scruffy teenage hitchhiker with no money and asked after him like an older sister, then moved across the counter and found the kid a ride with a gruff cowboy trucker. One minute she was swearing like a sailor, the next she was blushing like a virgin, and all the customers who sat at her counter got what they needed. Sam realized that he was watching a shape-shifter: a kind and giving creature. Perhaps he was meant to notice. Perhaps that was what he needed. She was good. Maybe he was too. He turned to Calliope and caught her in the middle of losing a bite of oatmeal down her chin. â€Å"We can do this,† he said. â€Å"We'll get him back.† â€Å"I know,† she said. â€Å"You do?† She nodded, wiping oatmeal off her chin with a napkin. â€Å"That's the scary thing about hope,† she said. â€Å"If you let it go too long it turns into faith.† She scooped another bite of cereal. Sam smiled. He wished that he shared her confidence. â€Å"Did you ever go to South Dakota with Lonnie? Will we be able to find them?† â€Å"I went to the big summer rally, not this time of year. They don't camp with the other bikers. They rent land from a farmer in the hills. All the Guild chapters stay together there.† â€Å"Could you find it again?† â€Å"I think so. But there's only one dirt road leading in there. How will we get Grubb out?† â€Å"Well, I guess just walking in and asking for him isn't going to work.† â€Å"They usually have guns. They get drunk and play shooting games.† Coyote said, â€Å"Wait for them to go to sleep, then sneak in and count coup.† â€Å"They don't really sleep,† Calliope said. â€Å"They do crank and drink all weekend.† â€Å"Then we will have to trick them.† â€Å"I was afraid you'd say that,† Sam said. He spun on his stool and looked out the windows of the truck stop to the gas pumps, where a black stretch Lincoln was just pulling away. -=*=- Sam woke up in the passenger seat. The Z was parked sideways on the side of the road, the headlights trained over a pasture. The driver's seat was empty. Coyote, who was curled up in the tiny space behind the seat, growled and popped his head out between the seat. â€Å"What's going on?† â€Å"I don't know.† Sam looked around for Calliope. It was raining out. â€Å"Maybe she stopped to take a leak.† â€Å"There she is.† Coyote pointed to a spot by the barbed-wire fence where Calliope was standing by a young calf, working furiously on something at the fence. A mother cow stood by watching. â€Å"The calf's tail is stuck on the barbed wire,† Coyote said. Sam opened the car door and stepped out into the rain just as Calliope finished untangling the calf, which scampered to its mother. â€Å"It's okay,† she called. â€Å"I got him.† She waved for him to get back into the car. She ran to the car and got in. â€Å"Sorry, I had to stop. He looked so sad.† â€Å"It's okay. Pasture pals, right?† Sam said. She grinned as she started the car. â€Å"I thought we could use the karma balance.† Sam looked for a road sign. â€Å"Where are we?† â€Å"Almost there. We have to get going. There's been a car behind us for a while. I got way ahead of it, but I felt like it was following us.† She pulled onto the road, ramming through the gears like a grand prix driver. Sam was peeking at the speedometer when he saw a colored light blow by in the corner of his eye. â€Å"What was that?† â€Å"The only stoplight in Sturgis,† Calliope said. â€Å"I'm sorry, guys, it sort of snuck up on me. The Z goes better than it stops.† â€Å"We're here already?† Sam said. â€Å"But it's still dark out.† â€Å"It's a few more miles to the farm,† Calliope said. â€Å"Sam, if a cop saw me go through that light can you take the wheel? My license is suspended.† Sam checked his watch, amazed at their progress. â€Å"You must have averaged ninety the whole way.† â€Å"I had to go to jail the last time they caught me. Three months. They taught me to do nails for vocational training.† â€Å"You did three months for a traffic violation?† â€Å"There were a few of them,† Calliope said. â€Å"It wasn't bad; I got a degree. I'm a certified nail technician now. In jail it was mostly LOVE/HATE nails, but I was good at it. I would have had a career except the polish fumes give me a headache.† Coyote pulled Grubb's blanket out of the hole in the back window and looked through. â€Å"It's clear. There's a car behind us but it's not a cop.† The sleeping town was only a block long – a stoplight with accessories. Calliope drove them through town and turned south on a county road that wound into the Black Hills. â€Å"It's a couple of minutes up this road to the turnoff, then about a mile in on a dirt road.† Sam said, â€Å"Turn off the lights when you make the turn. We'll drive halfway in and walk the rest of the way.† Calliope made the turn onto a single-lane dirt road that led through a thick stand of lodgepole pines. The road was deeply rutted, the ruts filled with water. The Z bucked and bottomed out in several places. â€Å"Keep it moving steady,† Sam said. â€Å"Don't hit the gas or the wheels will dig into the mud. Christ, it's dark.† â€Å"It's the trees,† Calliope said. â€Å"There's a clearing ahead where they camp.† Sam was trying to peer into the darkness. To his right he thought he saw something. â€Å"Stop.† Calliope let the Z roll to a stop. â€Å"Okay,† Sam said. â€Å"Hit the parking lights, just for a second.† Calliope clicked the parking lights on and off. â€Å"That's what I thought,† Sam said. â€Å"There's a cattle gate back there to the right. Back the Z in there so we can turn it around.† â€Å"Giving up?† Coyote said. â€Å"If we have to get out of here fast I don't want to have to back down this road.† He got out of the car and directed Calliope as she backed the Z in and turned it off. â€Å"We walk from here.† They got out of the car and started down the road, stepping between the puddles. The air was damp and cold, and smelled faintly of wood smoke and pine. When the moonlight broke through the trees they could see their breath. Calliope said, â€Å"Wait.† She turned and ran back to the car, then returned in a moment with Grubb's blanket in hand. â€Å"He'll want his wubby.† Sam smiled in spite of himself, knowing the girl couldn't see his face in the dark. Never face heavily armed bikers without your wubby. Coyote and Cottontail It's an old story. Coyote and his friend Cottontail were hiding on a wooded hill above a camp, watching some girls dance around the fire. Coyote said, â€Å"I'd sure like to get close to some of them.† â€Å"You won't get near them,† Cottontail said. â€Å"They know who you are.† â€Å"Maybe not, little one. Maybe not,† Coyote said. â€Å"I'll go down there in disguise.† â€Å"They won't let any man get close to them,† Cottontail said. â€Å"I won't be a man,† Coyote said. â€Å"Here, hold this.† Coyote took off his penis and handed it to Cottontail. â€Å"Now, when I come back into the woods I will call to you and you can bring me my penis.† Then Coyote changed into an old woman and went down to the camp. He danced with the girls and pinched them and slapped their bottoms. â€Å"Oh, Grandmother,† the girls said, â€Å"you are wicked. You must be that old trickster Coyote.† â€Å"I'm just an old woman,† Coyote said. â€Å"Here, feel under my dress.† One of the girls felt under Coyote's dress and said, â€Å"She is just an old woman.† Coyote pointed to two of the prettiest girls. â€Å"Let's dance in the trees,† he said. He danced with the girls into the woods and tickled them and made them roll around with him laughing. He touched them under their dresses until they said, â€Å"Oh, Grandmother, you are wicked.† â€Å"Cottontail, come here!† Coyote called. But there was no answer. â€Å"Wait here for your old grandmother to return,† Coyote told the girls. He ran all over the woods calling for Cottontail, but could not find him. He went over that hill to the next one and still no Cottontail. He was excited and wanted very much to have sex with the girls, but alas, he could not find his penis. Finally the sun started coming up and the girls called, â€Å"Old Grandmother, we can't wait for you any longer. We have to go home.† Coyote stalked the hills cursing. â€Å"That Cottontail, I will kill him for stealing my penis.† As he walked he passed three other girls coming out of the woods. They were giggling and one of them was saying, â€Å"He was so little, but he had such a big thing I thought I would split.† Coyote ran in the direction the girls had come from and found Cottontail sitting under a tree having a smoke â€Å"I'll kill you, you little thief,† Coyote cried. â€Å"But Coyote, I pleasured the three many times and four times I made each of them cry out.† Coyote was too tired from tickling and dancing all night to stay mad. â€Å"Really, four times each?† â€Å"Yep,† Cottontail said, handing Coyote his member. â€Å"I feel like I was there,† Coyote said. â€Å"You got a smoke?† â€Å"Sure,† said Cottontail. â€Å"Are you going to need your penis tonight?† Coyote laughed and smoked with Cottontail while his little friend told the story of his long night of pleasuring.

Anthropology The World Safe For Human Differences

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